~ Paul McCartney
(114)Release Date: February 7, 2012
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Product Description
Kisses On The Bottom is a collection of standards Paul grew adult listening to in his childhood as good as a dual new McCartney compositions "My Valentine" and "Only Our Hearts." With a assistance of Grammy Award-winning writer Tommy LiPuma and Diana Krall and her band--as good as guest appearances from Eric Clapton and Stevie Wonder, McCartney's new manuscript is a deeply personal tour by classical American compositions that, in some cases, a immature Paul initial listened his father perform on piano during home. The full lane inventory reveals that Paul has been both zealous and brave in his strain choices.
The word `Kisses On The Bottom,' comes from a album's opener `I'm Gonna Sit Right Down And Write Myself A Letter'. Originally done a large strike by Fats Waller in 1935, a strain opens with a lines "I'm gonna lay right down and write myself a minute and make trust it came from you. I'm gonna write difference oh so sweet. They're gonna hit me off of my feet. A lot of kisses on a bottom, I'll be blissful we got `em."
As authentic and adventurous a low-pitched matter as he could make, this is a manuscript Paul has been meditative about creation for some-more than 20 years - and substantially a final thing his fans are expecting. "In a finish it was 'Look, if we don't do it now, I'll never do it'," he says. In short, Paul believes it is about time "the songs me and John formed utterly a few of a things on" perceived a approval they deserve. Moreover, a record also facilities a integrate of new strange McCartney compositions in a suggestion of those classics.
"When we kind of got into songwriting, we satisfied how good structured these songs were and we consider we took a lot of my lessons from them," Paul explains. "I always suspicion artists like Fred Astaire were really cool. Writers like Harold Arlen, Cole Porter, all of those guys - we only suspicion a songs were magical. And then, as we got to be a songwriter we suspicion it's beautiful, a proceed they done those songs."
Determined to proceed a record in a new and singular manner, Paul enlisted a assistance of LiPuma and Krall and her band-who delivered ultra-high peculiarity musicianship and were totally in balance with Paul's patience and feel for a music. In a studio, a recording of this manuscript was also a new plea for Paul who, for a initial time ever, achieved exclusively in a outspoken counter but an instrument - no guitar, no bass, no piano - that led to a outspoken opening like no other in his career.
He adds, "It was really spontaneous, kind of organic, that afterwards reminded me of a proceed we'd work with The Beatles. We'd move a strain in, flog it around, when we found a proceed to do it we'd contend 'Okay, let's do a take now' and by a time everybody kind of had an thought of what they were doing, we'd learnt a song. So that's what we did, we did a take live in a studio."
"It was critical for me to keep divided from a some-more apparent strain choices so, many of a classical standards will be unknown to some people. we wish they are in for a pleasing surprise."
The manuscript was available during a mythological Capitol Studios in Los Angeles, New York and London via 2011.
Track Listing
- I'm Gonna Sit Right Down And Write Myself A Letter
- Home [When Shadows Fall]
- It's Only A Paper Moon
- More we Cannot Wish You
- The Glory Of Love
- We Three [My Echo, My Shadow And Me]
- Ac-Cent-Tchu-Ate The Positive
- My Valentine
- Always
- My Very Good Friend The Milkman
- Bye Bye Blackbird
- Get Yourself Another Fool
- The Inch Worm
- Only Our Hearts
Product Details
- Amazon Sales Rank: #19 in Music
- Released on: 2012-02-07
- Number of discs: 1
- Dimensions: .14 pounds
Customer Reviews
Most useful patron reviews
81 of 90 people found a following examination helpful.
Macca Plays a Cocktail Lounge
By Rudy Palma
Let's face it - these cover albums from veteran, heavily-moneyed legends of stone and cocktail are mostly flattering mundane, or during a really slightest inconsequential. In annoy of this, Paul McCartney delivers utterly good on "Kisses on a Bottom," with his iconic, fluffy voice singing an eclectic, elaborate array of some of a best tunes ever created - as good as dual intensely considerable new ones.
The gorgeous, lilting "My Valentine" recalls a lustful regretful memory nonetheless a snippet of corrupt or sickly-sweetness. It is a damn plain McCartney strange that, save for his now-huskier outspoken range, would fit in good on one of a classical Beatles albums. "Only Our Hearts" is identical in a thesis and saddening edge, nonetheless improved showcases McCartney's expressive, stirring reduce register. Eric Clapton plays guitar on a latter while Stevie Wonder contributes harmonica on a former. It helps to have friends.
This is not a Valentine's Day album, nonetheless it is really opportunely expelled in a days heading adult to a holiday, for a ambiance is positively warm, calm and sensuous - that is to say, romantic. Whether he's singing a nuances of a evocative "Bye Bye Blackbird" or a timeless, drippy "Always," McCartney's smoothness is consistently restrained, contemplative and sentimental, yet, importantly, he never sounds feigned or premeditated. Each preference is well-rendered and straightforward.
Much of a reason for this congruity is due to Diana Krall's subsidy band, hired privately for this project. Backing McCartney with a regretful heat on a likes of a shining "The Glory of Love" and a comparatively musty "Ac-Cent-Tchu-Ate a Positive," they acquire their keep here.
McCartney has set many annals in his prolonged and sundry career, and "Kisses on a Bottom" won't mangle any of them, nonetheless it is also a rarely listenable set of mellow, poetic tunes that goes ideal with a bottle of wine, either or not a dusk skews romantic.
(Certain retailers lift opposite editions, some featuring reward tracks, so do your homework.)
58 of 65 people found a following examination helpful.
DEAR MUSIC APPRECIATORS
By Andrew H. Lee
Dear Music Appreciators,
If you've always wanted to get all adult tighten and personal with "The Cute Beatle" afterwards this competence be a manuscript for you. Notice Paul with his arms full of flowers on a cover of his new manuscript - an manuscript installed with his close-mic vocals on out-of-date regretful standards...released usually a week before Valentines' Day...he competence as good be observant "will we be my valentine?"
Whether it's a distributed selling ploy or usually a fluke of timing, this is positively a good album. But it will substantially order some of McCartney's fans and competence not win him many new ones outward of those who suffer "the standards."
If you're looking for an manuscript full of Beatlesque singer-songwriter luminosity afterwards you'd best demeanour elsewhere. This is mostly jazzy, old-timey things from a 1920's and 30's that a immature McCartney initial listened from his father's piano. In a same approach that many actors usually wish to direct, there are many singers who usually wish to sing a standards, and interjection in partial to Willie Nelson's 1978 blockbuster STARDUST many of them eventually do. Rod Stewart is another primary instance of a star who cashed in large on this same concept, nonetheless he drew a satisfactory volume of critique as well. And afterwards of march there's associate Beatle Ringo Starr's 1970 bid SENTIMENTAL JOURNEY.
After primarily meditative "oh brother" (before conference a album) we altered my balance flattering fast about 25 seconds into a opening lane - a 1935 balance that has been lonesome by a horde of singers including Sinatra, Bing Crosby, Nat "King" Cole, and Dean Martin - McCartney gives it usually a right volume of jazzy snazz and we found myself meditative "maybe he can do this after all - maybe he's usually a right thespian for a job."
For many strain fans, their personal greeting to an manuscript of cover songs can count mostly on their laxity with a songs and a several formerly expelled cover versions of those songs. I'm guessing your normal fan will know about half of these by pretension alone. A personal high indicate of this record for me was a Irving Berlin classical "Always." McCartney gives a deferential and subtly nuanced performance, and we was unknown adequate with a strain and all a versions so as to make this balance substantially new to me. A low indicate was substantially "Get Yourself Another Fool" nonetheless usually given we was already informed with a pleasing delivery by Patty Griffin on her LIVE FROM THE ARTISTS DEN album, and afterwards after we listened McCartney sing it we motionless to lift adult an aged Sam Cooke version, and...well let's usually contend Sam Cooke can sing. Man can he sing. we also detected that "Home (When Shadows Fall)" is another balance that both McCartney and Sam Cooke have now covered, and again we was bending on Sam Cooke's version.
So interjection Paul for assisting me comprehend how extraordinary Sam Cooke is (there are still some legends we usually haven't gotten around to yet) and for delivering a stellar collection of standards usually in time for V-Day. McCartney's chronicle of any of these songs could substantially play in a credentials of some large bill regretful comedy while a heading characters canoodle any other all over New York City.
There are in fact dual McCartney originals on this album. "My Valentine" is substantially a many intriguing of a dual given it seems to fit right in with a other songs, as if it was created 70 or 80 years ago - and if it was I'm betting it would have been heavily lonesome and maybe even have found a possess container in "The Great American Songbook."
If we usually wish pop-rock strain from pop-rock legends afterwards we should spin around and travel away, nonetheless if you're big and feel like we could use some aged propagandize windy intrigue in your life, afterwards this manuscript will give we a good small injection of accurately what you're looking for.
Sincerely,
Constant Listener
38 of 45 people found a following examination helpful.
Intimate and understated
By Chicago Bookworm
"Kisses on a Bottom" is personal, restrained, and moving. Many albums of standards are substantially interchangeable, as a thespian "sells" any one by outspoken gymnastics and splashy instrumentation. "Kisses on a Bottom" is, in contrast, an insinuate and unobtrusive affair. [The pretension is taken from a line in "I'm Going to Sit Right Down and Write Myself a Letter" and refers to putting XXXXXs on a bottom of a letter.]
McCartney is branch 70 this year, and this manuscript feels like a tab with both his past and future. These are (with a difference of a dual originals, "My Valentine" and "Only Our Hearts"), a songs he grew adult listening to, nonetheless he's singing them from a viewpoint that comes with age. He doesn't try to censor his voice's aging, and has pronounced he was perplexing for a "small" voice effect, identical to Fred Astaire's. The gangling arrangements by Diana Krall and her rope element his voice instead of strenuous it, and a altogether outcome is atmospheric and unforced.
In "Ac-Cent-Tchu-Ate The Positive," we can hear a roots of McCartney's upbeat, say-hello-not-goodbye low-pitched persona, and in "My Very Good Friend a Milkman" a kind of caprice that characterizes "Lovely Rita" or "Martha My Dear." But many songs offer windows into deeper emotions. "More we Cannot Wish You," expressing a parent's hopes for his children, and a slowed down "Bye Bye Blackbird" are sold standouts. The multiple of yearning and acceptance of reduction that interpose these dual songs is tough to put into words, nonetheless we can't hear them nonetheless meditative that McCartney is looking during a finish of life and meditative about what can still make it worthwhile. The dual strange songs on a album, "Only Our Hearts" and "My Valentine," seamlessly compare a tinge of a standards that approximate them. No meant feat, this.
In one way, this manuscript isn't startling during all - McCartney is a man who wrote "When I'm 64" and "Your Mother Should Know" in his twenties and crafted "You Gave Me The Answer," that could be a blank strain from one of Astaire's musicals. But a multiple of patience and frankness that McCartney summons on what competence have been a rote recitation is a warn - and a really pleasing one. we wish there were one or dual some-more originals, given "My Valentine" and "Only Our Hearts" are lovely, and that he'd lowered a pivotal on a integrate of songs, nonetheless these are quibbles.
"Kisses on a Bottom" shows again (after 2008's "Electric Arguments," a partnership with Martin Glover expelled underneath their moniker "The Fireman) in these after years McCartney is doing what he wants to, musically, and isn't focusing on what will go over commercially. we think that a double entendre pretension is a curtsy to a accepting many will give this album, and an denote that he's not fussed about it.
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